2nd International Graduate Research Symposium

by Barış Darcan | May 16, 2023
The 2nd INTERNATIONAL GRADUATE RESEARCH SYMPOSIUM – IGRS’23 will be held online at ITU on 16-18 May 2023 by ITU Graduate School.

The 2nd INTERNATIONAL GRADUATE RESEARCH SYMPOSIUM – IGRS’23 will be held online at ITU on 16-18 May 2023 by ITU Graduate School. ITU MIAM is in the symposium program with 15 presentations from faculty members and students. Faculty members are also leading 3 different sessions as chair. Please check below for details about the presentations:

https://igrs.itu.edu.tr/

Day 02 – 17.05.2023 Wednesday

Session IV/E – Musicology – (09:30 – 11:00)

Chair: Emmanouil Ekmektsoglou

Zoom Link:

https://itu-edu-tr.zoom.us/j/93053432193?pwd=SEs4OEYvSUFBQm9DOEdVeHRzd2RXZz09

İrem Ece Gülensoy – Case Study: The Using of Sound by Female Directors in Turkish Independent Cinema

Akif Yunus Belgin – How can the analysis of Marvin Smith’s drum solo on “Song For Soweto” be utilized as a study for jazz drummers?

Cenk Bonfil – Third Stream Music: The Anatomy of a Hybrid Musical Style

Şükran Gökçe Türkoğlu – Representation of Sound Synthesis in Textural Music Composition

Session V/E – Musicology – (11:30 – 13:00)

Chair: Robert Oliver Beahrs

Zoom Link:

https://itu-edu-tr.zoom.us/j/93053432193?pwd=SEs4OEYvSUFBQm9DOEdVeHRzd2RXZz09

Amy T. Salsgiver & Emmanouil Ekmektsoglou – One Piece, Generated Many Ways: Modalities of Notation in Compositional Practice

Nedim Güvenç – Pink Floyd: The Place of the Band in Progressive Rock

Aida Pulake Altınbüken – Violin Kaba in Folk Music of Albania: Musical Structure and Performance Practice

Zeynep Büşra Eldem & E. Şirin Özgün Tanır – “Whose voice is heard?” A Comparative Study on Lulu: Alban Berg and Olga Neuwirth

Aslı Kobaner & E. Şirin Özgün Tanır – Creativity as Criticism of Sound:  Contemporary Art Music as a Critical Practice

Session V/E – Musicology – (13:30 – 15:00)

Chair: Paul Whitehead

Zoom Link:

https://itu-edu-tr.zoom.us/j/93053432193?pwd=SEs4OEYvSUFBQm9DOEdVeHRzd2RXZz09

Aslı Balâ Aşkan – Influences of urban soundscape on the noise perception

Barış Demirezer & Yelda Özgen Öztürk – The Symphonie Concertante and the Historical Development in the 18th Century

Konstantinos Vasilakos – Intelligent Behemoths: an Occultist’s Approach on Technological Mediated Audience Participation

Deniz Ünsal – Comparison of Different Music Mixing Approaches for Dolby Atmos

Danai Palaka & Mehmet Cevdet Erek – Comprehension of Karsilama Rhythm through Practice Based Research and Drum Kit Adaptations

Day 03 – 18.05.2023 Thursday

Session XI/F – Architectural Design – (16:00 – 17:30)

Zoom Link:

https://itu-edu-tr.zoom.us/j/92872154781?pwd=TCt5cUV5UHVpN2FMR0o5dnJWSGNNZz09

Abdulfettah Salih Gaferoğlu & Mehmet Cevdet Erek – Spatiality in Sound Installations: Evolution, Historical Landmarks, Criticism

 

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  1. Desain Produk | Nov 28, 2024
    What is the significance of Marvin Smith's drum solo on “Song For Soweto” for jazz drummers, as analyzed by Akif Yunus Belgin during the symposium? Visit us <a href="https://bpd.telkomuniversity.ac.id/perancangan-digital-laundry-menu-untuk-londri-cuci-kiloan/">Desain Produk</a>
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    İTÜ Dr. Erol Üçer Centre for Advanced Studies in Music

    İTÜ Dr. Erol Üçer Center for Advanced Studies in Music (MIAM) was established in 1999 as a department of İTÜ Social Sciences Institute. Dr. Erol Üçer, who is a graduate of ITU, undertook the foundership and acted as the main sponsor. The original idea was conceived by Gülsün Sağlamer, the former rector of ITU. Sağlamer suggested Prof. Dr. Kamran İnce and Prof. Dr. Cihat Aşkın the idea to establish a graduate school that gives education in English, and where foreign scholars would be invited to teach and do research. Kamran İnce who thought positively about the idea pointed out to Gülsün Sağlamer that methods developed in the 20th century for graduate-level music studies were only applied in the American educational system that practiced creative approaches to music rather than rote-learning; and that Turkey needed a comprehensive music library. Furthermore, he emphasized that since İTÜ is a technical university, it would be very important to implement the technological aspect by giving electronic, electro-acoustic music, sonic arts, sound engineering and design educations as well. In addition to these areas, the idea of giving music business and management educations was also considered. Eventually, when Dr. Erol Üçer specified that he would completely back up the project that took shape from these ideas, MIAM was founded as Turkey’s first music master’s program (1999) and music doctoral program (2002) that gives education in %100 English language.